The treatment comes before the crew
We write a treatment and get it approved before a single booking. It costs a week and saves the far more expensive problem of discovering in the edit that the film has no argument.
S-03Brand Films
Brand films go wrong when nobody decided what the company actually believes. We start there, and the shoot gets easier.

AWhy this way
We write a treatment and get it approved before a single booking. It costs a week and saves the far more expensive problem of discovering in the edit that the film has no argument.
A documentary founder piece and a stylised commercial want different directors. Our bench means we cast the right one instead of assigning whoever is between jobs. That is the practical advantage of a partner network over a fixed in-house team.
A brand shoot is the most expensive day in your content calendar. We plan the shot list to yield the hero film, a set of social cuts and stills, so the day pays for more than ninety seconds.
BWhat ships
Included as standard, not quoted as extras once the project is already underway.
CStyles
We recommend one on the first call and tell you what it costs against the alternatives.
Why the company exists, told by the person who would know.
Short, written, performed. Carries a rebrand or a funding announcement.
A case study with a real person in it. The most persuasive format in B2B.
For hiring pages. Honest ones work; staged ones are transparent.
DFrom the portfolio
EHow it runs
Six stages
Every stage ends in a written approval. No stage starts before the one before it closes.
A 45-minute call and a written brief back to you the same week. We ask what the video is competing against for attention, who has to approve it, and what happens if it works. If a video is the wrong fix, this is where we say so.
We assign the project from our partner bench: a director, an animator and an editor picked for this brief rather than whoever is free. You see who is on it and the work they have done before, not just a studio reel.
Two drafts. Written against your sales calls and your positioning, not your feature list. Nothing goes to storyboard until the script is approved, because every problem is cheaper to fix here than anywhere downstream.
Style frames and a timed storyboard. You approve the look and the beat structure before a single frame is animated or a crew is booked. This is the last cheap stage, and we use it properly.
Production or animation, sound design, grade and mix. You see a rough cut at the halfway mark rather than a finished film at the end, so notes land while they are still inexpensive to act on.
Master file, cutdowns, vertical crops, captions and source project files. Ownership transfers on delivery. The work, the assets and the licences are yours.
FQuestions
A brand film is built to be remembered and is usually measured on brand lift, recall and how often it gets shared internally. An ad is built to be skipped past and is measured on cost per acquisition. They want different lengths, different openings and, honestly, different directors.
ENDNext step
Tell us what the brand films has to do and when you need it. You will get a scope, a price and a schedule in writing, usually within two working days.